"Time Spent" is an intimate portrayal of enduring love and familial connections through life's uncertainties. Initially, the series aimed to document and preserve memories of the moments shared between the photographer and his grandparents. However, after his Uncle Stephen's unexpected passing at 52, the project took on a deeper meaning, becoming a way to process and contextualize grief.
Throughout the series, highly personal encounters illuminate changing seasons of life, joyous moments, and unforeseen tragedies. As the series progresses through loss and illness, the emotional connection between the photographer and his subjects allows the audience to see these events through an intensely personal and empathetic lens.
Each photograph captures a singular moment in time, evoking a sense of vulnerability, tenderness, and honesty that invites reflection on one's own experiences of love, loss, and resilience. Together, the images weave a touching story of family bonds, the fragility of life, and the enduring power of memories.
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Walt Disney's Steamboat Willie (1928)
is a black-and-white animated short film that is considered a landmark in animation history. The film stars Mickey Mouse in his first sound appearance and helped to usher in the era of synchronized sound cartoons. Steamboat Willie remains an iconic piece of popular culture today.
Hasui Kawase(May 18, 1883 – November 7, 1957) was a prominent Japanese painter of the late 19th and early 20th centuries, and one of the chief printmakers in the shin-hanga ("new prints") movement.
Kawase worked almost exclusively on landscape and townscape prints based on sketches he made in Tokyo and during travels around Japan. However, his prints are not merely meishō (famous places) prints that are typical of earlier ukiyo-e masters such as Hiroshige and Katsushika Hokusai (1760-1849). Kawase's prints feature locales that are tranquil and obscure in urbanizing Japan.
In 1923 there was a great earthquake in Japan that destroyed most of his artwork.
Alphonse Legros(8 May 1837 – 8 December 1911), painter, etcher and sculptor was born in Dijon.
As he had casually picked up the art of etching by watching a comrade in Paris working at a commercial engraving, so he began the making of medals after a walk in the British Museum, studying the masterpieces of Pisanello, and a visit to the Cabinet des Médailles in Paris. Legros, considered the traditional journey to Italy a very important part of artistic training, and in order that his students should have the benefit of such study he devoted a part of his salary to augment the income available for a travelling studentship. His later works, after he resigned his professorship in 1892, were more in the free and ardent manner of his early days—imaginative landscapes, castles in Spain, and farms in Burgundy, etchings like the series of "The Triumph of Death," and the sculptured fountains for the gardens of the Duke of Portland at Welbeck Abbey.
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