Behind the Scenes // Girls Life Magazine //

photos by Micah Wood

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Introducing Micah Wood

Amanda finished her internship a few months ago, leaving me sad, lonely, and grumpy because I had to carry all my bags and break down lights by myself.  What a tragic situation!  Her time with me was awesome, clients loved her and I was truly appreciative of the energy and enthusiasm she brought to each shoot.  Plus we had a blast during our “lesson” sessions!  She will be well missed.

After a few months in this intern-less haze I began to see light in the form of a MICA student called Micah Wood.  I know Micah from my position as Darkroom Manager at MICA and have come to respect and really like Micah.  He begins his tenure with me this weekend on a Girls Life shoot.  Can’t wait!!  So with our further adieu I give you Micah Wood, the intern:

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Little Bird Style // makeITs // under the sea

Recently we had the chance to work with Zoey from Little Bird Style, a brand devoted to fashion and teen girls.  Previously we worked with Zoey on a Girl’s Life shoot with Say Chance (she did the wardrobe), so naturally given those results, we were so excited to be back at it.  Above is the ad we produced followed by some images from a slightly different concept.  Hope you like!  When you’re done be sure to pop over to Little Bird and check them out!

photo / sean scheidt

model / madison bell

make-up / leah bassett

hair / luis buija

 

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So when John was sleeping

When I’m at Lauries house sitting with her husband artist John Wood (89) the thing I notice the most (especially when he falls asleep) is the stillness.  A stillness, the likes of which I only often experience when its snowing, can be a meditative respite during the day.  One day Laurie tasked me with breaking a piece of glass.  The sound of this pierced through that stillness.  I had just happened to bring my camera with me that day and after documenting the beautiful shapes of the broken glass, I tried to somehow capture this sense of stillness.  So when John was sleeping and the house at its most quiet, I took these.

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Baltimore // rec center protests // bw

This past fall I accompanied Joel Kurz, a friend and Pastor of The Garden Community to a protest at the Parks and Recreation dept.  What were we protesting?  The decision by the city to cut funding thereby closing 55 rec centers (talk about investing in your youth!).  So many people showed up to support this, eventually causing the city to postpone its plans, at least for a time.

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Family Sentiment

I have always been fearful of family portrait shoots.  I told myself long ago that were I to get family portraits requests they would be done right.  My approach would be no differently than any other shoot.  Which is harder than you might think.  Not only are you working against the popular conception of family portraiture (ie. Sears and Walmart, matching outfits, dockers and bare feet) but with a family dynamic you are most likely not privy to.  The combination is enough to make me want to never shoot them.  Of course, the most basic shoot, composition and lighting is just fine for most families, but why settle for just fine?  Because often its easier than dealing with all that nonesense.

So when Luis (fabulous hair stylist I use on nearly every shoot) approached me and said he wanted family portraits I told him to stop right there.  I would only do it if I can make it no different than any shoot, hair, makeup, the whole deal.  Luckily enough for me that was exactly what he had in mind and wouldn’t have it any other way.  We then went on about our hate for Sears and Walmart family portraits in general.

Luis’s family is Spanish and his parents from what I gathered are first generation.  We talked about the idea of approaching the shoot like that of a find painting with dark, moody lighting, but regal and dignified, giving a sense of history.  We had after all three generations to work with.  They arrived with mimosa’s and food (best way to start anyshoot if you ask me).  From the moment we started it was a breeze, they were open to every idea I had and even the shyest among them somehow broke out of her shell.  These have been the most sensitive and beautiful set of family portraits I’ve ever taken and Im ever so proud to have been asked to do so.

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Food=Art // Chef Chad Wells // Joe Squared // Campfire

I had the wonderful opportunity to photograph a Food=Art dinner.  This time the affair was held at the new Joe Squared in Power Plant.  This go around the chef was Chad Wells of Ale Wife and his sous chef John Jacobs.  Together they worked out a menu of what I would call elevated campfire food. Succulent hickory smoked trout, roasted beets, mac and cheese with duck, venison stew and a lovely quail dish.  Finally, for dessert s’more’s with candied bacon!  Yummm!!  And finally to tie the whole night together we were pleased to enjoy the bluegrass stylings of The Manly Deeds.   Enjoy the photos of the evening!

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from way back in august // W25 magazine

order your print or digital version here

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Melanie under blue

model // melanie blankenship

photographer // sean scheidt

makeup // leah bassett

wardrobe // julie bent

hair // sheena chickering

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Fields of Vision presented by in (parentheses)

Over the past few months I have had the wonderful opportunity to be a part of a new photography collective in Baltimore.  We call ourselves in (parentheses) and recently had our inaugural show at Case{werks} gallery in Baltimore.  Late this summer J.M Giordano sent me an email asking if I would consider being a founding member of a group whose goal would be to increase Baltimore’s exposure to contemporary photography.  Not quite sure what he had in mind, but curious, I said yes.  I joined fellow photographers Dean Alexander, Marian Glebes, Jill Fannon and Josh Sisk for our first meeting where we started to brainstorm what this could look like.  Eventually we came up with the following manifesto and a concept for our first curated show.  Fields of Vision is that first show.  As founding members and collective curators we decided to do a survey of contemporary work.  Each of us taking on a particular genre of photography.  We got a great write up in Baltimore City Paper also!  What follows the manifesto are some images from the show as taken by Regina DeLuise, professor at MICA and contributor to the show.  Enjoy and be sure to drop by the show, it will be hanging until Jan 5th 2012!

IN (PARENTHESES) – A MANIFESTO

IN (PARENTHESES) are artists working with and for artists.

IN (PARENTHESES) perceives a void in the current local cultural landscape that must be filled by encouraging the discourse and exhibiting of contemporary photographic and imaging media producers.  A community will be engaged, via IN (PARENTHESES), in meaningful dialogue surrounding the themes and issues of contemporary work, creating a photographic forum exploring what the image has the potential to be, as an object, as an idea, and as a tool for communication.

IN (PARENTHESES) maintains that created images and their contexts require exposure and discussion with the public and peers: locally, nationally, and internationally.  Because photography today reflects a significant cultural zeitgeist, IN (PARENTHESES) values diverse programming and exhibition opportunities for community participants and artists, in an order to expand on inherent contemporary motifs across multiple photographic traditions.

IN (PARENTHESES) values the eyes and minds of the public audience.

IN (PARENTHESES) will establish a continuing venue dedicated to contemporary photography and imaging media.

from left: Marian Glebes, Dean Alexander, Jill Fannon, J.M Giordano, Josh Sisk

contributing artists:

Milana  Braslavsky
Mark Alice Durant
Aiden Simon
Laurie Snyder
John Wood
Regina DeLuise
Julie Denesha
Monica Lopassay
Rita Minissi
Matt Roth
Edward J. Winter
James Luckett
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